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1259511372 |
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|a Spectroscopy, diffraction and tomography in art and heritage science
|h [electronic resource] /
|c edited by Mieke Adriaens, Mark Dowsett.
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|a Amsterdam :
|b Elsevier,
|c 2021.
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|a 1 online resource.
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|a Intro -- Spectroscopy, Diffraction and Tomography in Art and Heritage Science -- Copyright -- Contents -- Contributors -- Chapter 1: Origins and fundamentals -- 1. Introduction -- 2. A brief cultural history of optics and spectroscopy -- 2.1. Optics -- 2.2. Light, vision, and spectra -- 2.3. The two slit experiment -- 3. The eye as a spectroscope -- 4. Radiation beams -- 4.1. Beam energy and momentum -- 4.2. Wavelength and frequency -- 4.3. Particles in a beam -- 4.4. More beam parameters -- 4.5. Information depth -- 5. Destructive, nondestructive, invasive, and noninvasive techniques.
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|a 5.1. Destructive and nondestructive -- 5.2. Microdestructive techniques -- 5.3. Noninvasive analysis -- 5.4. How to approach a truly nondestructive analysis -- References -- Chapter 2: Raman and infrared spectroscopy in conservation and restoration -- 1. Raman and infrared spectroscopy in conservation and restoration -- 2. Introduction to vibrational spectroscopy -- 3. Raman spectroscopy -- 3.1. Laboratory Raman analysis -- 3.1.1. Applications -- 3.1.2. Selection of an appropriate laser -- 3.2. Direct and on-site Raman spectroscopy -- 3.2.1. Applications.
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|a 3.2.2. Comparison of two mobile instruments -- 3.3. Other Raman approaches and techniques -- 4. Infrared spectroscopy -- 5. Conclusions -- Acknowledgments -- References -- Chapter 3: Spectroscopy and diffraction using the electron microscope -- 1. Basic principles and main outlines -- 2. Electron/matter interactions -- 3. Scanning electron microscopy -- 3.1. Imaging modes -- 3.2. Spectroscopy analysis -- 3.3. Diffraction -- 4. Transmission electron microscopy -- 4.1. Sample preparation -- 4.2. The instrument -- 4.3. Electron diffraction (SAED and CBED) -- 4.4. Imaging modes.
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|a 4.4.1. Amplitude contrast (BF and DF) -- 4.4.2. Phase contrast (HRTEM) -- 4.5. Chemical analysis -- 5. Scanning transmission electron microscopy -- 5.1. Principle -- 5.2. STEM imaging (BF, DF, HAADF) -- 5.3. STEM-EDX -- 5.4. STEM-EELS -- 5.5. STEM-PACOM (precession-assisted crystal orientation mapping) -- 5.6. Beam damage -- 6. Conclusions -- Acknowledgment -- References -- Chapter 4: UV-visible-near IR reflectance spectrophotometry in a museum environment -- 1. Introduction -- 2. Advantages and limitations of UV-vis-NIR reflectance spectroscopy for the analysis of museum objects.
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|a 3. Instrumentation, setup and data processing methods -- 4. Complementary methods -- 5. Research questions and case studies -- 5.1. Cross-disciplinary research on medieval and Renaissance illuminated manuscripts -- 5.2. Getting it right: Identification of gemstones in historical jewelry -- 5.3. Recovering lost pigments and revealing construction techniques of medieval polychrome wood sculpture -- 6. Where next? -- Acknowledgments -- References -- Chapter 5: Neutron and X-ray tomography in cultural heritage studies -- 1. Introduction: The aim of cultural heritage studies with tomography methods.
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|a Art
|x Research
|x Methodology.
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|a Cultural property
|x Research
|x Methodology.
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|a Spectrum analysis.
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|a Diffraction.
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|a Tomography.
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|a Diffraction.
|2 fast.
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|a Spectrum analysis.
|2 fast.
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|a Tomography.
|2 fast.
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|a Electronic books.
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|a Adriaens, Mieke,
|e editor.
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|a Dowsett, Mark,
|e editor.
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|a ScienceDirect (Online service)
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