Painting and experience in fifteenth century Italy a primer in the social history of pictorial style /

Serving as both an introduction to fifteenth-century Italian painting and as a text on how to interpret social history from the style of pictures in a given historical period, this new edition to Baxandall's pre-eminent scholarly volume examines early Renaissance painting, and explains how the...

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Main Author: Baxandall, Michael.
Format: Book
Language: English
Published: Oxford [Oxfordshire] ; New York : Oxford University Press, 1988.
Physical Description: 183 pages, 4 pages of plates : illustrations (some color) ; 21 cm.
Edition: Second edition.
Series: Oxford paperbacks.
Subjects:
Summary: Serving as both an introduction to fifteenth-century Italian painting and as a text on how to interpret social history from the style of pictures in a given historical period, this new edition to Baxandall's pre-eminent scholarly volume examines early Renaissance painting, and explains how the style of painting in any society reflects the visual skills and habits that evolve out of daily life. Renaissance painting, for example, mirrors the experience of such activities as preaching, dancing, and gauging barrels. The volume includes discussions of a wide variety of painters, including Filippo Lippi, Fra Angelico, Stefano di Giovanni, Sandro Botticelli, Masaccio, Luca Signorelli, Boccaccio, and countless others. Baxandall also defines and illustrates sixteen concepts used by a contemporary critic of painting, thereby assembling the basic equipment needed to explore fifteenth-century art. This new second edition includes an appendix that lists the original Latin and Italian texts referred to throughout the book, providing the reader with all the relevant, authentic sources. It also contains an updated bibliography and a new reproduction of a recently restored painting which replaces the original.
Item Description: "First published in 1972" --T.p. verso.
Includes bibliographical references (pages 155-179) and index.
Contracts and the client's control -- Art and matter -- The value of skill -- Perception of skill -- Relative perception -- Pictures and knowledge -- The cognitive style -- The function of images -- Istoria -- The body and its language -- Figure patterns -- The value of colours -- Volumes -- Intervals and proportions -- The moral eye -- Words and pictures -- Giovanni Santi's twenty-five painters -- Cristoforo Landino -- Categories: nature, relief, purity, case, perspective, grace, ornateness, variety, composition, colouring, design, difficulty, foreshortening, promptness, blitheness, devotion.
Serving as both an introduction to fifteenth-century Italian painting and as a text on how to interpret social history from the style of pictures in a given historical period, this new edition to Baxandall's pre-eminent scholarly volume examines early Renaissance painting, and explains how the style of painting in any society reflects the visual skills and habits that evolve out of daily life. Renaissance painting, for example, mirrors the experience of such activities as preaching, dancing, and gauging barrels. The volume includes discussions of a wide variety of painters, including Filippo Lippi, Fra Angelico, Stefano di Giovanni, Sandro Botticelli, Masaccio, Luca Signorelli, Boccaccio, and countless others. Baxandall also defines and illustrates sixteen concepts used by a contemporary critic of painting, thereby assembling the basic equipment needed to explore fifteenth-century art. This new second edition includes an appendix that lists the original Latin and Italian texts referred to throughout the book, providing the reader with all the relevant, authentic sources. It also contains an updated bibliography and a new reproduction of a recently restored painting which replaces the original.
Physical Description: 183 pages, 4 pages of plates : illustrations (some color) ; 21 cm.
Bibliography: Includes bibliographical references (pages 155-179) and index.
ISBN: 019282144X
9780192821447