Rivalry in Music, Schönberg vs. Stravinsky
At the beginning of the 20th century there were two celebrated liberators of music who were the complete opposite of each other: the stylishly nonchalant Igor Stravinsky who revolutionized the musical field from the rhythm-section on the one hand - and on the other the smart and world-weary Arnold S...
| Other Authors: | Infobase,, EuroArts Music International GmbH. |
|---|---|
| Format: | Video |
| Language: | English |
| Published: |
[Place of publication not identified] :
EuroArts Music International,
[2021]
Distributed by Infobase, |
| Physical Description: |
1 online resource (1 video file (52 min., 33 sec)) : sound. |
| Subjects: |
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| 520 | |a At the beginning of the 20th century there were two celebrated liberators of music who were the complete opposite of each other: the stylishly nonchalant Igor Stravinsky who revolutionized the musical field from the rhythm-section on the one hand - and on the other the smart and world-weary Arnold Schönberg with his visionary 12-tone-music. What started as a respectful meeting of two composers soon turned into a bitter rivalry that led to a fundamental debate about progress and truth in music. We travel to Los Angeles, Vienna, and Venice to trace the steps of the two genius composers. | ||
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