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04860cam a2200637 i 4500 |
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961911799 |
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OCoLC |
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20221122132507.0 |
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|2 23
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| 245 |
0 |
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|a Disability and art history /
|c [edited by] Ann Millett-Gallant & Elizabeth Howie.
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| 264 |
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1 |
|a New York :
|b Routledge,
|c 2016.
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| 300 |
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|a 1 online resource.
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| 336 |
|
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|a text
|b txt
|2 rdacontent.
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| 337 |
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|a computer
|b c
|2 rdamedia.
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| 338 |
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|a online resource
|b cr
|2 rdacarrier.
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| 504 |
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|a Includes bibliographical references and index.
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| 520 |
8 |
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|a This is the first book of its kind to feature interdisciplinary art history and disability studies scholarship. Art historians have traditionally written about images of figures with impairments, and artworks by disabled artists, without integrating disability studies scholarship, while many disability studies scholars discuss works of art, but do not necessarily incorporate art historical research and methodology. The chapters in this volume emphasize a shift away from the medical model of disability that is often scrutinized in art history by considering the social model and representations of disabled figures from a range of styles and periods, mostly from the twentieth century. Topics addressed include visible versus invisible impairments; scientific, anthropological, and vernacular images of disability; and the theories and implications of looking/staring versus gazing. They also explore ways in which art responds to, envisions, and at times stereotypes and pathologizes disability. The insights offered in this book contextualize understanding of disability historically, as well as in terms of medicine, literature, and visual culture.
|
| 505 |
0 |
0 |
|t Disability and art history introduction /
|r Ann Millett-Gallant and Elizabeth Howie --
|g 1.
|t Artists and muses: "Peter's World" and other photographs by Susan Harbage Page /
|r Ann Millett-Gallant --
|g 2.
|t Exploiting, degrading, and repellent: against a biased interpretation of contemporary art about disability /
|r Nina Heindl --
|g 3.
|t Nothing is missing: spiritual elevation of a visually impaired Moche shaman /
|r Rebecca R. Stone --
|g 4.
|t Divining disability: criticism as diagnosis in Mesoamerican art history /
|r William T. Gassaway --
|g 5.
|t Difference and disability in the photography of Margaret Bourke-White /
|r Keri Watson --
|g 8.
|t Representing disability in post-World War II photography /
|r Timothy W. Hiles --
|g 7.
|t Disabled veteran of World War I in the mirror of contemporary art: the reception of Otto Dix's painting The Cripples (1920) in Yael Bartana's film Degenerate Art Lives (2010) /
|r Anne Marno --
|g 8.
|t Disabling Surrealism: reconstituting Surrealist tropes in contemporary art /
|r Amanda Cachia --
|g 9.
|t Dandy Victorian: Yinka Shonibare's allegory of disability and passing /
|r Elizabeth Howie --
|g 10.
|t Crafting disabled sexuality: the visual language of Nomy Lamm's "Wall of Fire" /
|r Shayda Kafai.
|
| 588 |
0 |
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|a Print version record.
|
| 650 |
|
0 |
|a People with disabilities in art.
|
| 650 |
|
0 |
|a Art and society.
|
| 650 |
|
0 |
|a Sociology of disability.
|
| 650 |
|
6 |
|a Personnes handicapées dans l'art.
|
| 650 |
|
6 |
|a Art et société.
|
| 650 |
|
6 |
|a Handicap
|x Aspect sociologique.
|
| 650 |
|
7 |
|a ART
|x General.
|2 bisacsh.
|
| 650 |
|
7 |
|a Art and society.
|2 fast.
|
| 650 |
|
7 |
|a People with disabilities in art.
|2 fast.
|
| 650 |
|
7 |
|a Sociology of disability.
|2 fast.
|
| 655 |
|
4 |
|a Electronic books.
|
| 700 |
1 |
|
|a Millett-Gallant, Ann,
|d 1975-
|e editor.
|
| 700 |
1 |
|
|a Howie, Elizabeth,
|e editor.
|
| 776 |
0 |
8 |
|i Print version:
|t Disability and art history.
|d New York : Routledge, 2016
|z 9781472453525
|w (DLC) 2016020671
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