Value

How is value created in the art world of the 1980s? Who determines what's "good" and how are reputations built and sustained. The film encounters a number of central figures as it journeys through some of the institutions in Germany and the United States that underpin critical and com...

Full description

Other Authors: Infobase,, Illuminations (Firm)
Format: Video
Language: English
Published: [Place of publication not identified] : Illuminations, [2006]
Distributed by Infobase,
Physical Description: 1 online resource (1 video file (50 min., 59 sec)) : sound.
Series: State of the Art: Ideas and Images in the 1980s.
Subjects:
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500 |a Originally released by Illuminations, 2006. 
500 |a Streaming video file encoded with permission for digital streaming by Infobase on October 10, 2019. 
505 0 0 |t Different Points of View (3:10);   |t New Corporate Headquarters (5:03);   |t Michael Werner (3:16);   |t Mary Boone (5:25);   |t Douglas S. Cramer (9:03);   |t Richard Koshalek (8:05);   |t Mary Miss (4:58);   |t Ingrid Sischy (3:43);   |t Thomas McEvilley (6:03);   |t Credits: Value (1:16); 
506 1 |a Access requires authentication through Films on Demand. 
520 |a How is value created in the art world of the 1980s? Who determines what's "good" and how are reputations built and sustained. The film encounters a number of central figures as it journeys through some of the institutions in Germany and the United States that underpin critical and commercial value: the private dealers Michael Werner and Mary Boone, seen in her gallery on West Broadway in Manhattan hanging a show of works by A.R. Penck; collector and Hollywood producer Douglas S. Cramer, one of the key figures behind series like Dynasty and The Colbys; museum director Richard Koshalek, as he prepares to open the new Museum of Contemporary Art in Los Angeles; the critic Thomas McEvilley, writer for Artforum and other magazines; and the artist Mary Miss, working on a public project at Battery Park City Plaza. 
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