Debussy's critics sound, affect, and the experience of modernism /
Following the premiere of Pelléas et Mélisande in 1902, Debussy's supporters, attempting to explain the opera's novelty, turned away from a music aesthetics that gave primacy to inner emotion and toward an aesthetics oriented instead toward listening, sensation and the materiality of sound...
| Main Author: | Kieffer, Alexandra, 1986- |
|---|---|
| Other Authors: | Oxford Scholarship Online. |
| Format: | eBook |
| Language: | English |
| Published: |
New York, NY :
Oxford University Press,
2019.
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| Physical Description: |
1 online resource. |
| Series: |
Oxford scholarship online.
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| Subjects: |
CMU Electronic Access
Electronic Resource Click Here| Location | Call Number: | Status |
|---|---|---|
| CMU Electronic Access | Available |