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04731cam a2200709Ia 4500 |
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839301848 |
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OCoLC |
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20180606153805.0 |
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m o d |
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|a (OCoLC)839301848
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| 050 |
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4 |
|a ML3790
|b .R63 2013eb
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| 100 |
1 |
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|a Rogers, Jim,
|d 1969-
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| 245 |
1 |
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|a The death and life of the music industry in the digital age /
|c by Jim Rogers.
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| 264 |
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|a New York :
|b Bloomsbury Academic,
|c 2013.
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| 264 |
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|c ©2013.
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| 300 |
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|a 1 online resource (ix, 236 pages).
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| 336 |
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|a text
|b txt
|2 rdacontent.
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| 337 |
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|a computer
|b c
|2 rdamedia.
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| 338 |
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|a online resource
|b cr
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| 490 |
1 |
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|a Ebook Central (EBC)
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|a Includes bibliographical references (pages 213-225) and index.
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|a Digital deliria and transformative hype -- Death by digital? -- Response strategies of the music industry -- Developments beyond the digital realm -- New rules for the new music economy? [Part One] -- New rules for the new music economy? [Part Two] -- Evolution, not revolution?
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|a The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication.
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|a Electronic reproduction.
|b Ann Arbor, Michigan.
|n Available via World Wide Web.
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|a Users at some libraries may be required to establish an individual no-charge EBC account, and log in to access the full text.
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|a Permanent access license for participating libraries purchased from ProQuest Ebook Central.
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| 588 |
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|a Description based on print version record.
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| 650 |
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|a Sound recording industry
|x Social aspects.
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| 650 |
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|a Music and technology.
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| 650 |
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7 |
|a BUSINESS & ECONOMICS
|x Industries
|x Media & Communications.
|2 bisacsh.
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| 650 |
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7 |
|a TECHNOLOGY & ENGINEERING
|x Telecommunications.
|2 bisacsh.
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| 650 |
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7 |
|a Music and technology.
|2 fast.
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| 650 |
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7 |
|a Sound recording industry
|x Social aspects.
|2 fast.
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| 650 |
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7 |
|a Musikwirtschaft.
|2 gnd.
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| 650 |
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7 |
|a Digital Rights Management.
|2 gnd.
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| 655 |
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4 |
|a Electronic books.
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| 690 |
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|a Electronic monograph.
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| 710 |
2 |
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|a ProQuest (Firm)
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| 776 |
0 |
8 |
|i Print version:
|a Rogers, Jim, 1969-
|t Death and life of the music industry in the digital age.
|d New York : Bloomsbury Academic, 2013
|z 9781780931609
|w (DLC) 2012041382
|w (OCoLC)814301899.
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|3 Prospector EBC
|z Click here for access
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