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965904305 |
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OCoLC |
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20240223121953.0 |
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|a Musical instruments in the 21st century :
|b identities, configurations, practices /
|c Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl, editors.
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|a [Singapore] :
|b Springer Science and Business Media :
|b Springer,
|c 2016.
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|c ©2017.
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|a 1 online resource.
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|a text
|b txt
|2 rdacontent.
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|a computer
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|2 rdamedia.
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|a online resource
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|a Online resource; title from PDF title page (EBSCO, viewed December 27, 2016).
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|a Includes bibliographical references.
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|a 1 Introduction; Abstract; Think Know Reflect; 2 Instrumentality. On the Construction of Instrumental Identity; Abstract; 1 Introduction; 2 Musical Instruments versus Other Things; 3 Musical Instruments and Musical Instrument Concepts; 4 Previous Approaches to Instrumentality; 5 Criteria of Instrumentality: A Preliminary Inventory; 6 Conclusion; References; 3 From Musical Instruments as Ontological Entities to Instrumental Quality: A Linguistic Exploration of Musical Instrumentality in the Digital Era; Abstract; 1 Introduction.
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|a 2 A Linguistic and Cognitive Perspective on Musical Instrumentality2.1 A Multidisciplinary Framework ... ; 2.2 ... for a Heterogeneous Corpus; 3 From Lexicographic and Academic Instrument Definitions ... ; 3.1 Lexicographic Definitions; 3.2 (Ethno- ) Musicology Definitions; 4 ... to the Emergence of a Terminology in a Computer Music Community of Practices; 4.1 Strategies for Naming and Categorising Digital Devices in Users' Interviews; 4.2 Defining Instrumentality; 5 Naming Strategies in Computer Music Literature Titles: A Stabilisation Under Construction; 6 Concluding Remarks and Perspectives.
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|a AcknowledgmentsReferences; 4 From Idiophone to Touchpad. The Technological Development to the Virtual Musical Instrument; Abstract; 1 Introduction; 2 The Development of Musical Instruments in Ten Stages from Prehistory to the Digital Age; 3 New Forms of Composing and Playing in a Digital World of Music; References; 5 Musical Instruments as Assemblage; Abstract; 1 Introduction: From Musical Instrument to Assemblage; 2 Violins and Fiddles: Identical Instruments, Diverse Assemblages; 3 The Electric Guitar: Technological Assemblage as 'Integrated Circuit'
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|a 4 The Turntable: An Assemblage en Route to a Musical Instrument5 Conclusion: Instrument Design and Assemblage; References; 6 Instrumentality as Distributed, Interpersonal, and Self-Agential: Aesthetic Implications of an Instrumental Assemblage and Its Fortuitous Voice; Abstract; 1 Introduction; 2 Exploring the Instrumentality of an Installatory Assemblage; 3 Distribution, Natural Environment, Interpersonal Accomplishment: Three Extensions to Alperson's Concept of Instrumentality; References.
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|a 7 Interactivity of Digital Musical Instruments: Implications of Classifying Musical Instruments on Basic Music ResearchAbstract; 1 The Hornbostel-Sachs System and Musical Instrument Classification; 2 Scientific Concept Formation: Classification and Taxonomy; 2.1 Classification and Taxonomy I: The Logical Concept; 2.2 Classification and Taxonomy II: The Problem of Empirical Adequacy; 3 The 'Computer-as-a-Musical Instrument', Interactivity and Automata: A Necessity of a New Approach to Musical Instrument Classification?
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|a By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
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|a Electronic musical instruments.
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|a Musical instruments
|x History
|y 21st century.
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|a Instruments de musique électroniques.
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|a electronic instruments.
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|a MUSIC
|x Musical Instruments
|x General.
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|a Electronic musical instruments.
|2 fast.
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|a Musical instruments.
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|a 2000-2099
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|a History.
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|a Bovermann, Till,
|e editor.
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|a Campo, Alberto de,
|d 1964-
|e editor.
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|a Egermann, Hauke,
|e editor.
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|a Hardjowirogo, Sarah-Indriyati,
|e editor.
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|a Weinzierl, Stefan,
|d 1967-
|e editor.
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