Jazz Part 10. A Masterpiece by Midnight
Dixieland, swing, bebop, modal, free, avant-garde, these were some of the terms critics used during the 1960s to categorize the diverse manifestations of jazz music. As for the artists themselves, many were desperate for work and headed for Europe, including bebop saxophone master Dexter Gordon. At...
| Other Authors: | Burns, Ken, 1953-, Films for the Humanities & Sciences (Firm), Infobase., Public Broadcasting Service (U.S.). |
|---|---|
| Format: | Video |
| Language: | English |
| Published: |
New York, N.Y. :
Infobase,
[2011], c2000.
|
| Physical Description: |
1 streaming video file (110 min.) : sd., col., digital file. |
| Series: |
Jazz: A Film by Ken Burns.
|
| Subjects: |
Table of Contents:
- Dexter Gordon (3:43)
- The Question of Jazz (1:15)
- Jazz Expression (2:04)
- 'Hello, Dolly' by Louis Armstrong (4:23)
- Violent Sixties (1:48)
- Freedom Now! - To Reclaim Jazz (5:30)
- Freedom Now! (2:33)
- Imaginary Concerts (4:38)
- Bossa Nova Movement (2:36)
- Not To Be Understood (8:15)
- Not To Be Understood - John Coltrane (9:28)
- Tennis Without a Net (4:52)
- Miles Davis and Fusion (6:32)
- Good Evening Everybody (14:42)
- Good Evening Everybody - Duke Ellington (4:54)
- Good Evening Everybody - Death of Jazz (5:14)
- Homecoming (2:59)
- Homecoming - Wynton Marsalis (5:55)
- Young Artists in Today's Jazz World (9:18)
- Jazz Still Swings (2:50)
- Jazz Legacy (1:55)
- Credits: 'A Masterpiece by Midnight: Ken Burns: Jazz, Part 10' (2:55)