Cataclysm black death visits Tuscany /

Until 1348, people in Sienna and Florence enjoyed the richest, safest, and most comfortable lives in their history. But almost overnight, their certainty of life-and even any hope of a good death-was gone. This program assesses the aftermath of the ferocious damage unleashed by the bubonic plague on...

Full description

Other Authors: Films for the Humanities & Sciences (Firm), Infobase., Redcanoe Productions, Inc.
Format: Video
Language: English
Published: New York, N.Y. : Infobase, [2006], c2004.
Physical Description: 1 streaming video file (49 min.) : sd., col., digital.
Series: First light: Tuscany and the dawn of the Renaissance.
Subjects:
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500 |a Encoded with permission for digital streaming by Infobase on Jan. 11, 2006. 
500 |a Films on Demand is distributed by Infobase for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware. 
505 0 |a Thirteenth-Century Florence and Sienna (6:31) -- Black Plague (Black Death) (3:18) -- Catastrophe in Tuscany (3:37) -- Christian Mosaics (3:29) -- Religious Observance of Death (5:01) -- Fanaticism and the Changing View of God (4:12) -- Effects of Black Plague on the Arts (5:38) -- Dawn of the Renaissance: Giotto and Musaccio (4:52) -- Renaissance Tools for Modern Repairs (3:39) -- Renaissance Legacies (3:01) -- Dawn of the Renaissance (2:51) 
506 |a Access requires authentication through Films on Demand. 
520 |a Until 1348, people in Sienna and Florence enjoyed the richest, safest, and most comfortable lives in their history. But almost overnight, their certainty of life-and even any hope of a good death-was gone. This program assesses the aftermath of the ferocious damage unleashed by the bubonic plague on the two city-states. Historians Alexander Nagel and Nicholas Terpstra, from the University of Toronto, and professional artisans-chief among them, sculptor Marcello del Colle, from Opera del Duomo-comment on how dazzling works of architecture went unfinished, artisans became more intrigued with the divine world than the natural, and how from the ashes a new spiritual inquiry would spring, paving the way for the High Renaissance. 
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546 |a Closed-captioned. 
588 |a Title from distributor's description. 
650 0 |a Art, Baroque. 
650 0 |a Art, Medieval Europe. 
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