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04356cam a2200505Ia 4500 |
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2723345 |
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OCoLC |
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20171103093119.0 |
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770207s1945 couah 000 0 eng |
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|z (OCoLC)989407307
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|a CDFA
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|a AS36
|b .C63 vol. 2
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|a PR1125
|b .E4
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|a 820.4
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|a Elizabethan studies and other essays in honor of George F. Reynolds.
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264 |
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|a Boulder, Col. :
|b [University of Colorado],
|c 1945.
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300 |
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|a x, 387 pages :
|b illustrations (facsimiles) portrait ;
|c 26 cm.
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336 |
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|a text
|b txt
|2 rdacontent.
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|a unmediated
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|a volume
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490 |
1 |
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|a University of Colorado studies. Series B. Studies in the humanities ;
|v v. 2, no. 4.
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500 |
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|a "October, 1945."
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|a Bibliography of the writings of George Fullmer Reynolds, 1905-1945.--The scholar as artist-interpreter, by E.A. Cross.--Two proposals for educating the emotions, by Garland Greever.--Backgrounds, and facts, by J.R. Macarthur.--Speech for the masses, by Richard Murphy.--No ivory tower, by D.H. Stevens.--Pedagogy, the Humpty Dumpty science, by Burgess Johnson.--Salvation through semantics, by G.S. McCue.--Chaucer's Cressida, by S.B. Neff.--John Gower in his most significant role, by G.R. Coffman.--The image of the new world, by H.M. Jones.--The staging of Gammer Gurton's nedle, by H.A. Watt.--Marlowe's "Now," by G.C. Taylor.--The imagery of color, light, and darkness in the poetry of Christopher Marlowe, by R.L. Hillier.--Tamburlaine and the renaissance, by Hallett Smith.--Cinthio's Epitia and Measure for measure, by R.H. Ball.--The forced gait of a shuffling nag, by J.D.A. Ogilvy.--The shrew and A shrew, by Hardin Craig.--The taming of a shrew, by T.M. Parrott.--Motivation of the inciting.
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505 |
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|a Shakespeare and race prejudices, by Robert Withington.--The symphonic form of King Lear, by G.R. Kernodle.--The royal fletcher and the loyal Heywood, by Tucker Brooke.--A note on the date of Middleton's The family of love, with a query on the Porters' hall theatre, by Baldwin Maxwell.--Epic conventions in Paradise lost, by J.D. Spaeth.--Two broadsides on Hobbes, by Betty T. Stocks.--Preface to a bibliography of Young's Night-thoughts, by Henry Pettit.--Elizabeth Canning in print, by Lillian B. McCue.--Smollett and Garrick, by L.M. Knapp.--Edmund Burke and James Barry, by D.C. Bryant.--Some observations on the vocabulary of landscape description among the early romanticists, by Irene P. McKeehan.--"The willing suspension of disbelief," by E.L. Griggs.--Shelley's "Proposal for reform," by R.M. Smith.--Notes on the vogue of Keats, 1821-1848, by H.E. Rollins.--First American performances of some English plays, by M.S. Shockley.--The American historical novel, by E.E. Leisy.--"O, tempora! O, mores.
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|a More roots for Leaves of grass, by Edna D. Romig.--"Violina" by Fitz-James O'Brien, by Francis Wolle.--A study in connotation, by Marjorie M. Kimmerle.--G.B.S., music, and Shakespearean blank verse, by E.J. West.--Art and theatre: Georg Fuchs, by Barnard Hewitt.--They build their own, by Carl Glick.--Robert Frost and the New England tradition, by C.H. Foster.--The poetics of Mr. Fearing, by C.D. Abbott.
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600 |
1 |
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|a Reynolds, George F.
|q (George Fullmer),
|d 1877-1964.
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|a Reynolds, George F.
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|a English literature.
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|a Essays.
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