Search Results - "New Hollywood"

Reel power : the struggle for influence and success in the new Hollywood 1st ed. by Litwak, Mark

Mainstream maverick : John Hughes and New Hollywood cinema by Chard, Holly

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The presence of the past : temporal experience and the new Hollywood soundtrack by Bishop, Daniel, 1982-

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Pictures at a revolution : five movies and the birth of the new Hollywood by Harris, Mark, 1963-

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Studio System by Annenberg Learner (Firm)

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Historical film : a critical introduction by Stubbs, Jonathan

Contents: “…-- Detail, authenticity, and the uses of the past -- Hollywood historical cinema up to WWII -- The age of epics -- New Hollywood, new histories -- Spectacle, technology, and aesthetics -- Prestige, education, and cultural value -- Conclusion: the role of the historian.…”

American independent cinema : an introduction Second edition. by Tzioumakis, Yannis

Contents: “…American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- 5. The new Hollywood and the independent Hollywood -- 6. …”

The Silver screen revolution American cinema 1960-1980 by Films for the Humanities & Sciences (Firm), Infobase, Wichita Films

Contents: “…Film History: New Film Inspiration (5:35) -- Development of the Hollywood Antihero (4:01) -- Public Unrest and Protest (5:24) -- Filmmakers and Politics in the 1970s (1:21) -- New Hollywood Stars (4:23) -- Producer Dominick Dunne (3:12) -- Making of "The Godfather" (5:36) -- Martin Scorsese: In the Beginning (4:03) -- Financial Backing for Film (4:56) -- Biographical Film: "Mean Streets" (4:23) -- "Apocalypse Now" (1979) (2:54) -- Challenges of Making "Apocalypse Now" (2:03) -- George Lucas' "Star Wars" (1977) (2:00)…”
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The new American cinema

Contents: “…Cook -- Auteurs and the new Hollywood / Timothy Corrigan -- From roadshowing to saturation release : majors, independents, and marketing/distribution innovations / Justin Wyatt -- Money matters : Hollywood in the corporate era / Jon Lewis -- A rose is a rose? …”

Robert Altman and the elaboration of Hollywood storytelling by Minett, Mark

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Stones in his pockets by Jones, Marie

Cinemas of boyhood : masculinity, sexuality, nationality

Becoming richard pryor by Saul, Scott

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Everybody thought we were crazy Dennis hopper, brooke hayward, and 1960s los angeles Unabridged. by Rozzo, Mark

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Hits, flops, and other illusions My fortysomething years in hollywood Unabridged. by Zwick, Ed

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The Hollywood Renaissance : revisiting American cinema's most celebrated era

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Sound for digital video 2nd ed. by Holman, Tomlinson

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Shopaholic to the stars A novel by Kinsella, Sophie

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Shopaholic to the stars A novel Unabridged. by Kinsella, Sophie

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A history of film music by Cooke, Mervyn

Contents: “…-- Birth of film music -- Categories of film music -- Camille Saint-Saens and film d'art -- Cue sheets and anthologies -- Venues and ensembles -- Photoplayers and cinema organs -- Music for silent epics -- Charlie Chaplin and music for comedies -- Early film music in Europe and the Soviet Union -- Postlude: the silent-film revival -- 2: Sound On Track -- Sound debate -- New technology -- Photographing sound -- Animated sound -- Creative possibilities -- 3: Hollywood's Golden Age: Narrative Cinema And The Classical Film Score -- Studio system -- Practicalities -- Style -- Wagner and the filmic leitmotif -- Structure -- Max Steiner -- Erich Wolfgang Korngold -- Franz Waxman: horror and sophistication -- Alfred Newman -- Miklos Rozsa, Roy Webb and David Raksin: film noir and the music of psychological drama -- Dimitri Tiomkin and others -- Aaron Copland and the sounds of America -- 4: Stage And Screen -- Opera on film -- Film in opera; opera in film -- Film musical -- Scoring Shakespeare -- 5: Mainstream Divides: Post-War Horizons In Hollywood -- Epic and the intimate -- Modernism -- Bernard Herrmann: the composer as auteur -- Jazz and its influence -- 6: Never Let It Be Mediocre: Film Music In The United Kingdom -- Visitors from abroad -- Ralph Vaughan Williams -- Brian Easdale, William Alwyn and Benjamin Frankel -- William Walton and Malcolm Arnold -- Generic (re)takes: horror and comedy -- End of an era -- 7: Defectors To Television -- Documentary film -- Hanns Eisler -- Documentaries in the United States -- Information films in the United Kingdom -- Movies at war: reportage and propaganda -- Theatrical documentaries for the modern age -- Animation -- Cartoon music in the silent era -- Walt Disney and the animated musical -- Warner Bros and MGM: comic shorts -- Classical music -- Migration to the small screen -- Experimental animation -- Animation in Europe -- 8: Film Music In France -- Symphony and song -- 1930s: Maurice Jaubert and Joseph Kosma -- Georges Auric and others -- Nouvelle vague -- Jean-Luc Godard -- Francois Truffaut -- French modernism -- At home and abroad -- Poles apart: Krzysztof Kieslowski and Zbigniew Preisner -- 9: Global Highlights -- Early sound films in the Soviet Union -- Dmitri Shostakovich -- Vsevolod Pudovkin and Yuri Shaporin -- Sergei Eisenstein and Sergei Prokofiev -- India: Bollywood and beyond -- Early Indian cinema -- Successes abroad: Ravi Shankar and Satyajit Ray -- Modern commercial cinema -- From Italy to Little Italy -- Federico Fellini, Nino Rota and the circus of life -- Ennio Morricone and the spaghetti western: eccentricity and populism -- Italians abroad -- Japan -- Traditional elements in silent and early sound films -- Films of Yasujiro Ozu and Akira Kurosawa -- Toru Takemitsu -- Modern composers, modern genres -- 10: Popular Music In The Cinema -- Music of youth and race -- Title songs and interpolated songs -- Compilation scores and original song scores -- Synergistic marketing -- Pop (stars) in performance -- 11: Classical music in the cinema -- Romantic concerto and war film -- Classical biopics and milieu films -- Period, nationality, class -- Stanley Kubrick -- Back to Bach -- 12: State Of The Art: Film Music Since The New Hollywood -- John Williams and the new symphonism -- Electronics, sound technology and recording -- Pop scoring, dual tracking and the modern soundtrack album -- Minimalism -- Modern auteurs: Martin Scorsese, Quentin Tarantino and David Lynch -- Modern mainstream -- Global and the glocal -- Bibliography -- Index of film titles -- General index.…”