Truffaut on cinema

"Between 1959 and 1984, French film director François Truffaut was interviewed over three hundred times. Each interview offers critical insight into the genesis of Truffaut's films as he shares the sources of his inspiration, the choice of his themes, and the development of his screenplays...

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Bibliographic Details
Uniform Title:
Main Author: Truffaut, François (Author)
Other Authors: Gillain, Anne (Compiler), Fox, Alistair (Translator)
Format: Book
Language:English
French
Published: Bloomington, Indiana : Indiana University Press, 2017.
Physical Description:
xxxi, 368 pages ; 24 cm.
Subjects:
Truffaut, François.

MARC

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245 1 0 |a Truffaut on cinema /  |c compiled by Anne Gillain ; translated by Alistair Fox. 
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300 |a xxxi, 368 pages ;  |c 24 cm. 
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500 |a Translated from the French. 
504 |a Includes bibliographical references and index. 
505 0 |a Childhood -- The New Wave -- The auteur theory -- 1954: Une visite; 1957: Les mistons; 1958: Histoire d'eau -- 1959: The 400 blows -- 1960: Shoot the piano player -- 1962: Jules and Jim -- 1962: Antoine and Colette -- 1964: The soft skin -- 1966: Fahrenheit 451 -- 1967: The bride wore black -- 1968: Stolen kisses -- May 1968 -- 1959-1968: overview 1 -- 1969: Mississippi mermaid -- 1970: The wild child -- 1970: Bed and board -- 1971: Two English girls -- 1972: A gorgeous girl like me -- 1973: Day for night -- 1969-1974: overview 2 -- 1975: The story of Adele H. -- 1976: Small change -- 1977: The man who loved women -- 1978: The green room -- 1979: Love on the run -- 1980: The last metro -- 1981: The woman next door -- 1983: Confidentially yours -- 1975-1984: overview 3. 
520 |a "Between 1959 and 1984, French film director François Truffaut was interviewed over three hundred times. Each interview offers critical insight into the genesis of Truffaut's films as he shares the sources of his inspiration, the choice of his themes, and the development of his screenplays. In addition, Truffaut discusses his relationships with collaborators, actors, and the circumstances surrounding the shooting of each film. These texts, originally assembled by Anne Gillain and published in French in 1988, are presented here in a montage arranged chronologically by film. This compilation includes an impressive array of reflections on cinema as an art form. Truffaut defines the aims and practices of the French New Wave, comparing their efforts to the films made by their predecessors and including comments that encompass the entire history of cinema. Truffaut on Cinema provides commentary on contemporary events, a wealth of biographical information, and Truffaut's own artistic itinerary."--Back cover. 
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