The sublime

"Offering historical overviews and explanations, Philip Shaw looks at the history of the sublime from the earliest, classical theories, through those of the Romantic era, to post-modern and avant-garde conceptions of sublimity; the major theorists of the sublime such as Burke, Kant, Lyotard, De...

Full description

Main Author: Shaw, Philip, 1965-
Format: Book
Language: English
Published: London ; New York : Routledge, Taylor & Francis Group, 2017.
Physical Description: ix, 237 pages ; 20 cm.
Edition: Second edition.
Series: New critical idiom.
Subjects:
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245 1 4 |a The sublime /  |c Philip Shaw. 
250 |a Second edition. 
264 1 |a London ;  |a New York :  |b Routledge, Taylor & Francis Group,  |c 2017. 
300 |a ix, 237 pages ;  |c 20 cm. 
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490 1 |a The new critical idiom. 
504 |a Includes bibliographical references (pages 219-231) and index. 
505 0 |a Introduction -- Before (and after) Longinus -- Early Modern Sublimity -- Burke: A philosophical enquiry -- Kant: the 'Analytic of the sublime' -- The Romantic sublime -- Beyond Romanticism -- The sublime is now: Derrida, Deleuze, Lyotard -- From the sublime to the ridiculous: Lacan and Žižek -- Afterword: Return to beauty. 
520 |a "Offering historical overviews and explanations, Philip Shaw looks at the history of the sublime from the earliest, classical theories, through those of the Romantic era, to post-modern and avant-garde conceptions of sublimity; the major theorists of the sublime such as Burke, Kant, Lyotard, Derrida, Lacan and Žižek, offering critical introductions to each; the significance of the concept through a range of literary readings including the Old and New Testaments, Homer, Milton and writing from the Romantic era; and how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch's neo-noir."--Publisher description. 
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