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The alliance of photography with the popular press led to an era of creativity in the medium in the 1930s, with eye-catching layouts replacing the traditional rectangular photo format. But before long press photography took on a potent life of its own. The men and women behind the camera became spec...
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Corporate Authors: | , , |
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Format: | Video |
Language: | English |
Published: |
New York, N.Y. :
Infobase,
[2013], c2012.
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Series: | Photo (New York, N.Y.)
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Physical Description: |
1 streaming video file (26 min.) : sd., col. |
Subjects: | |
Online Access: | Films on Demand - Click here for access |
Summary: | The alliance of photography with the popular press led to an era of creativity in the medium in the 1930s, with eye-catching layouts replacing the traditional rectangular photo format. But before long press photography took on a potent life of its own. The men and women behind the camera became special witnesses to current events and through newspaper reporting were able to pass their visions on to the wider world. Dorothea Lange's "Migrant Mother" made an impact as soon as it was published, as did Walker Evans' evocative series on Alabama sharecroppers and images by Weegee, Robert Capa, and Brassai. This program profiles these and other 20th-century photojournalists, with a special look at Henri Cartier-Bresson's "The People of Moscow," Josef Koudelka's photos of the invasion of Czechoslovakia, and Richard Avedon's portraits for Rolling Stone. |
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Item Description: | Encoded with permission for digital streaming by Infobase on November 27, 2013. Films on Demand is distributed by Infobase for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware. |
Access Restrictions: |
Access requires authentication through Films on Demand. |
System Details: |
Mode of access: Internet.
System requirements: FOD playback platform. |
Format: | Mode of access: Internet. System requirements: FOD playback platform. |
Physical Description: |
1 streaming video file (26 min.) : sd., col. |
Access: | Access requires authentication through Films on Demand. |