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Olafur Eliasson Space Is Process /

From the immense golden sun of The Weather Project at the Tate Modern to his New York Waterfalls, Olafur Eliasson has created large-scale installations that situate viewers in the ambiguous zones between communal and individual awareness. Filmed over a period of five years, this program follows the...

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Bibliographic Details
Corporate Authors: Films for the Humanities & Sciences (Firm), Infobase, First Hand Films (Firm)
Format: Video
Language:English
Published: New York, N.Y. : Infobase, [2010], c2009.
Physical Description:
1 streaming video file (52 min.) : sd., col., digital file.
Subjects:
Online Access:Films on Demand - Click here for access

MARC

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500 |a Films on Demand is distributed by Infobase for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware. 
505 0 |a Conception of Space (4:25) -- How the Artist Works (3:44) -- Two Art Installations (3:09) -- Co-Creation of Reality (2:48) -- Photographs of Glaciers (3:25) -- Language of Art (3:16) -- Experiments with Space (1:46) -- In Search of an Installation Site (4:27) -- Experience of Haze and Color (2:21) -- Unique Quality of Art (2:46) -- Artist's Workshop (2:47) -- Public Announcement of Art Project (1:56) -- Distractions (4:01) -- Art Installation Failure (2:43) -- Purpose of Art (2:00) -- Exhibition Opening (3:22) -- Credits: Olafur Eliasson: Space Is Process (1:35) 
506 |a Access requires authentication through Films on Demand. 
520 |a From the immense golden sun of The Weather Project at the Tate Modern to his New York Waterfalls, Olafur Eliasson has created large-scale installations that situate viewers in the ambiguous zones between communal and individual awareness. Filmed over a period of five years, this program follows the Danish-Icelandic artist's work in locations around the world. English-language interviews with Eliasson are interwoven with scenes from his studio as well as the unique, wide-ranging locations in which he builds sculptures, shoots photographs, and constructs intriguing automatic drawing machines. A central focus of his work emerges: how the spaces of our world are shaped by social, ideological, natural, and artificial structures. 
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