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657080662 |
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OCoLC |
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20140311110441.0 |
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|a 791.43/340944
|2 22
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1 |
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|a Neupert, Richard John.
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|a French animation history /
|c Richard Neupert.
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|a Oxford ;
|a Malden :
|b Wiley-Blackwell,
|c 2011.
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| 300 |
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|a xviii, 192 pages, 6 unnumbered pages of color plates :
|b illustrations ;
|c 24 cm.
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| 336 |
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|a text
|b txt
|2 rdacontent.
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| 337 |
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|a unmediated
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|2 rdamedia.
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|a volume
|b nc
|2 rdacarrier.
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|a Includes bibliographical references (pages [171]-177) and index.
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|a Introduction: the rise of animation in France. The beginnings of animation ; Stop-motion animation attractions -- Silent animation: Emile Cohl and his artisanal legacy. Emile Cohl, caricature, and the rise of studio animation ; Emile Cohl at Pathé, Eclipse, and Eclair Studios ; Graphic art and the cartoon: Lortac and O'Galop ; But is it "Animation"?: French avant-garde and moving pictures -- French animation and the coming of sound. Ladislas Starewich's fabled puppets ; Berthold Bartosch' L'idée: a working-class allegory ; Jean Painlevé's La Barbe bleue ; Alexandre Alexeieff, Claire Parker, and the print screen ; Niche cartoons: lyrical Joie de vivre and the surreal La fortune enchantée -- Toward an alternative studio structure. Paul Grimault and the artist-owned animation studio ; Transitional animation: from high art to made-for-TV ; Toward a new era of micro-studios: Laguionie and Laloux -- French animation's renaissance. Le cartoon plan ; Michel Ocelot's alternative mode of production ; Comic book aesthetics and niche studios ; Contemporary French animation: 2006 and beyond -- Conclusion: French animation today.
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|a Animation began in France, and for over 100 years French animators have remained devoted to their own artistic and technical traditions. Today, France is the third largest producer of animation in the world, and French animation is truly a unique product of the country's rich cultural, economic, and technical background. French Animation History is the first book dedicated exclusively to this vital element in the history of cinema, and reveals how French animators have forged their own visual styles, narrative modes, and technological innovations to construct a distinct national style, while avoiding the clichés and conventions of Hollywood's commercial cartoons. During the past decade, scores of important French animated films have been restored and released on DVD from archival prints, making many of the titles mentioned in the book available for classroom use for the first time. The book includes more than 80 color and black and white images from the most influential films, from early silent animation to the internationally renowned Persepolis. French Animation History is essential reading for anyone interested in the study of French animation, illuminating the exceptional place France holds within the history of world cinema.
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|a Animated films
|z France
|x History and criticism.
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|a Animated films.
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|a France.
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|a Criticism, interpretation, etc.
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