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Bach interpretation articulation marks in primary sources of J.S. Bach /
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Main Author: | |
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Format: | Book |
Language: | English |
Published: |
Cambridge [England] ; New York :
Cambridge University Press,
2006.
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Series: | Cambridge musical texts and monographs.
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Physical Description: |
xiii, 278 pages : illustrations ; 24 cm. |
Subjects: |
Contents:
- Introduction
- I. Background to articulation in the performance practice of Bach's era
- The primacy of singing
- Articulation marks in string playing
- Articulation marks in wind playing
- Articulation marks in keyboard playing
- Articulation marks and rhythmic inequality
- II. The principles of Bach's notated articulation: a study of the scores and parts of the concerted vocal works
- Articulation marks within the compositional and notational procedure
- Principal articulation patterns in the instrumental parts of vocal works
- Fundamentals of Bach's notated articulation
- III. Bach's refined articulation- the instrumental works
- Bach's role in the preparation of printed sources
- Articulation marks in fair copies of works for instrumental ensemble
- Bach's keyboard articulation and the development of the keyboard idiom
- Bach and 'modern' articulation: slurs as 'phrase marks'
- Articulation marks in analysis and interpretation
- Conclusion.