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N6490 .S35
|
The art of assemblage |
1 |
|
N6490 .S37
|
Art nouveau; art and design at the turn of the century |
1 |
|
N6490 .S496 1985
|
Artwords : discourse on the 60s and 70s |
1 |
|
N6490 .T348
|
Abracadabra and modern art; nineteenth-twentieth-century critique and history |
1 |
|
N6490 .T365 1995
|
Avant-garde and after : rethinking art now |
1 |
|
N6490 .T492 2012
|
Theories and documents of contemporary art : a sourcebook of artists' writings |
1 |
|
N6490 .T494 1985
|
Theories of contemporary art |
1 |
|
N6490 .T89 1985
|
Twentieth-century artists on art |
1 |
|
N6490 .Z38
|
Zero |
1 |
|
N6493 1920 .B372
|
The decorative Twenties |
1 |
|
N6493 1930 .J6
|
The thirties decade: American artists and their European contemporaries |
1 |
|
N6493 1980 .M65 2012
|
This will have been : art, love & politics in the 1980s |
1 |
|
N6494.A16 M42
|
Masters of abstract art : an exhibition for the American Red Cross, April 1st to May 15th, 1942, at Helena Rubinstein's New Art Center |
1 |
|
N6494.A2 G46 2012
|
The geometric unconscious : a century of abstraction |
1 |
|
N6494.A2 I58 2012
|
Inventing Abstraction, 1910-1925 : how a radical idea changed modern art |
1 |
|
N6494.A2 K37 2020
|
Abstract art : a global history |
1 |
|
N6494.A2 R67 1996
|
Abstraction in the twentieth century : total risk, freedom, discipline |
1 |
|
N6494.A25 G33 2019
|
Ninth street women : Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler : five painters and the movement that changed modern art |
1 |
|
N6494.A25 P64 1985
|
Pollock and after : the critical debate |
1 |
|
N6494.A66 A67 2009
|
Appropriation |
1 |