ML448 .O4
|
The technique and spirit of fugue; an historical study |
1 |
ML448 .S65
|
An historical approach to musical form |
1 |
ML448 .T68
|
The forms of music |
1 |
ML455 .C32 1964
|
The history of orchestration |
1 |
ML457 .A98 1988
|
Authenticity and early music : a symposium |
1 |
ML457 .C7
|
The masters of the classical period as conductors |
1 |
ML457 .D64 1967
|
The interpretation of early music |
1 |
ML457 .D64 1977
|
The interpretation of early music / by Robert Donington |
1 |
ML457 .D65 1974
|
A performer's guide to Baroque music |
1 |
ML457 .G3 1988
|
A history of orchestral conducting : in theory and practice |
1 |
ML457 .H37 1988
|
The early music revival : a history |
1 |
ML457 .H38 2007
|
The end of early music : a period performer's history of music for the twenty-first century |
1 |
ML457 .K58 1995
|
Authenticities : philosophical reflections on musical performance |
1 |
ML457 .L46 1988
|
Authenticity in music |
1 |
ML457 .N46 1993
|
Performance practices of the seventeenth and eighteenth centuries |
1 |
ML457 .P49 2012
|
A performer's guide to seventeenth-century music |
1 |
ML457 .R4
|
Readings in the history of music in performance |
1 |
ML457 .S522 2018
|
Performing Renaissance music |
1 |
ML457 .S526 2011
|
Performance practices in the Classical era : as related by primary resources and as illustrated in the music of W.A. Mozart and Joseph Haydn |
1 |
ML457 .S53 2013
|
Performance practices in the Baroque era : as related by primary sources |
1 |