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Rousing the nation radical culture in Depression America /
This interdisciplinary study blends textual analysis with social history to chart the intellectual and artistic ferment of Depression-era America. In Rousing the Nation, Laura Browder explores the fiction, drama, and film produced during the decade by socially conscious intellectuals who struggled t...
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| Main Author: | |
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| Corporate Author: | |
| Format: | eBook |
| Language: | English |
| Published: |
Amherst :
University of Massachusetts Press,
[1998]
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| Physical Description: |
1 online resource (viii, 217 pages) : illustrations. |
| Subjects: | |
| Online Access: | EBSCOhost - Click here for access |
MARC
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| 245 | 1 | 0 | |a Rousing the nation : |b radical culture in Depression America / |c Laura Browder. |
| 264 | 1 | |a Amherst : |b University of Massachusetts Press, |c [1998] | |
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| 504 | |a Includes bibliographical references (pages 183-205) and index. | ||
| 505 | 0 | |a From Uncle Tom's cabin to Gone with the wind : writing for a nation in crisis -- The road : in search of America -- Dos Passos issues a challenge : can language make a revolution? -- Boys will be boys : Farrell examines working-class manhood -- Family history and political identity in Herbst's Trexler trilogy -- Finding a collective solution : the living newspaper experiment -- One-third of a nation : the living newspaper comes to Hollywood -- The search abandoned. | |
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| 520 | |a This interdisciplinary study blends textual analysis with social history to chart the intellectual and artistic ferment of Depression-era America. In Rousing the Nation, Laura Browder explores the fiction, drama, and film produced during the decade by socially conscious intellectuals who struggled to create a uniquely American art. Browder first considers authors James T. Farrell, Josephine Herbst, and John Dos Passos, arguing that their work successfully sparked a discussion about what it meant to be American at a time when the country's very future seemed in doubt. She then examines the Living Newspaper productions of the Federal Theatre Project, which brought politically and aesthetically provocative drama to twenty-five million Americans. In a final chapter, she examines social films of the period, focusing on Paramount's 1939 production of One-Third of a Nation. | ||
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