Representations of femininity in American genre cinema the woman's film, film noir, and modern horror /
The theme of female transformation informs the Hollywood representation of femininity from the studio era to the present. Whether it occurs physically, emotionally, or on some other level, transformation allows female protagonists to negotiate their own complex desires and to resist the compulsory m...
| Main Author: | Greven, David. |
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| Other Authors: | Palgrave Connect (Online service) |
| Format: | Electronic |
| Language: | English |
| Published: |
New York, NY :
Palgrave Macmillan,
2011.
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| Physical Description: |
pages cm. |
| Subjects: |
| Summary: |
The theme of female transformation informs the Hollywood representation of femininity from the studio era to the present. Whether it occurs physically, emotionally, or on some other level, transformation allows female protagonists to negotiate their own complex desires and to resist the compulsory marriage plot. A sweeping study of Hollywood from Now, Voyager, The Heiress, and Flamingo Road to Carrie, the Alien films, The Brave One, and the slasher horror genre, this book boldly unsettles commonplace understandings of genre film, female sexuality, and Freudian theory as it makes a strong new case for the queer relevance of female representation. |
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| Item Description: |
Electronic reproduction. Basingstoke, England : Palgrave Macmillan, 2011. Mode of access: World Wide Web. System requirements: Web browser. Title from title screen (viewed on Apr. 21, 2011). Access may be restricted to users at subscribing institutions. The theme of female transformation informs the Hollywood representation of femininity from the studio era to the present. Whether it occurs physically, emotionally, or on some other level, transformation allows female protagonists to negotiate their own complex desires and to resist the compulsory marriage plot. A sweeping study of Hollywood from Now, Voyager, The Heiress, and Flamingo Road to Carrie, the Alien films, The Brave One, and the slasher horror genre, this book boldly unsettles commonplace understandings of genre film, female sexuality, and Freudian theory as it makes a strong new case for the queer relevance of female representation. Femininity and Film Genres * Freud and the Death-Mother * Transformations of the Woman's Film * Modern Horror as the Concealed Woman's Film * Medusa in the Mirror: Brian De Palma's Carrie * Demeter and Persephone in Space: Transformation, Femininity, and Myth in the Alien Films * The Finalizing Woman: Horror, Femininity, and Queer Monsters * The Brave One --. Includes bibliographical references. Introduction : femininity and film genres -- Freud and classical Hollywood. Freud and the death-mother -- Transformations of the woman's film : or, feminine myths -- Modern horror. Modern horror as the concealed woman's film -- Medusa in the mirror : Brian de Palma's Carrie -- Demeter and Persephone in space : transformation, femininity, and myth in the alien films -- The finalizing woman : horror, femininity, and queer monsters -- Coda : the brave one. |
| Physical Description: |
pages cm. |
| Bibliography: |
Includes bibliographical references. |
| ISBN: |
9780230118836 0230118836 |