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ML430 .C65 2002 v.1
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Composers on composing for band |
1 |
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ML430 .C65 2002 v.2
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Composers on composing for band |
1 |
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ML430 .C65 2002 v.3
|
Composers on composing for band |
1 |
|
ML430 .C65 2002 v.4
|
Composers on composing for band |
1 |
| Your match would be here. |
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ML430 .M5
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Hugo Riemann's Theory of harmony : a study |
1 |
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ML430 .R563 1974
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History of music theory, books I and II: polyphonic theory to the sixteenth century |
1 |
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ML430.5 .C76
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A history of musical style |
1 |
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ML430.5 .D3 1963
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The interpretation of music |
1 |
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ML430.5.D66 H5
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The history of music in performance : the art of musical interpretation from the renaissance to our day |
1 |
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ML430.5 .R72
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Musical performance in the times of Mozart and Beethoven: The lost tradition in music, part II |
1 |
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ML430.7 B49 2011
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Beyond notes : improvisation in Western music of the eighteenth and nineteenth centuries |
1 |
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ML431 .A6
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The notation of polyphonic music, 900-1600 |
1 |
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ML431 .P37 1959
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The notation of medieval music |
1 |
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ML431 .R6
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New music vocabulary : a guide to notational signs for contemporary music |
1 |
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ML437 .S3
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Rhythm and tempo; a study in music history |
1 |
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ML440 .S933 1965
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A history of melody |
1 |
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ML444.S55 T3
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The theory of harmony; an inquiry into the natural principles of harmony, with an examination of the chief systems of harmony from Rameau to the present day |
1 |
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ML446 .M67 1975
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Contrapuntal technique in the sixteenth century |
1 |
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ML448 .M25 1987
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The study of fugue |
1 |
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ML448 .O4
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The technique and spirit of fugue; an historical study |
1 |